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War Films Genre

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... of the medieval world dominate both the filmography and the cultural subtext, ranging from the medieval-film-genre film makers is a serious genre which successfully depicts the realism in its different discourses with its 'real (Ghost Dog's final scenes). Such violence is characteristic of Gangster films, and like other films in the genre, Ghost Dog's "final conclusion Yet, so much of Tokyo Drifter seems to be an embracing of western ideals from dress to the gangster/hero film genre. The in cotemporary film - particularly the horror genre. Her analyses is more inclined to understanding the perceptions of ...



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Sources list for WAR FILMS GENRE:

Schatz, Thomas. *Film Genre and the Genre Film.* Film Theory and Criticism. Ed. Braudy, Leo, Marshall Cohen. Oxford University, 1999.
Can the Horror Genre and Scopophilia Co-Exist?

Thomas Sobchack, "Genre Film: A Classical Experience" in Film Genre Reader2 , pp 19 - 32. Edited by Keith Grant. Austin: University of Texas Press, 1995.
The Art Film and the Genre Film

Andrew Tudor, "Genre" in Film Genre: Theory and criticism , pp 3 - 10. Edited by Barry Keith Grant, Texas: University of Texas Press, 1995.
The Art Film and the Genre Film

Basinger, Jeanine. The World War II Combat Film; Anatomy of a Genre. Middletown: Wesleyan University Press, 2003. p. 1
The WWII Combat Genre

Basinger, Jeanine. The World War II Combat Film; Anatomy of a Genre. Middletown: Wesleyan University Press, 2003.
The WWII Combat Genre

 

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