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Negro Renaissance

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... undertaken by these artists during the Harlem Renaissance. The New Negro is then the work through which Locke establishes in the minds of both Black and White America the reconstructed, much as the concept of the Negro during the Harlem Renaissance. It is therefore through the change in within the New Negro movement. The concept of the "New Negro" was a cultural ideal during the Harlem Renaissance. This is also reminiscent of the idea used to designate their language was "Negro English", "The Negro Dialect", "Negro Speech", Non-standard Negro English or Harlem Renaissance. No longer is the Negro good only for slave or factory labor. While there is still a large amount of ...



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Sources list for NEGRO RENAISSANCE:

The Negro Renaissance (Accessed on 18-11-2003) http://www.rit.edu/~nrcgsh/bx/bx09c.html
African-American Poetry

Schiffman, Zachary Sayre. "Rabelais, Renaissance, and Reformation: Recent French Works on the Renaissance." Renaissance Quarterly 48.1 (1995): 129+.
Francois Rabelais’s "Gargantua and Pantagruel"

Schuyler, George S. "The Negro-Art Hokum." The Portable Harlem Renaissance Reader. Ed. David Levering Lewis. Penguin Books, 1994. As first published in The Nation 122 (16 June 1926).
Schuyler and Hughes in the Harlem Renaissance

Locke, Alain. "The New Negro" in Lewis, David Levering The Portable Harlem Renaissance Reader. New York: Penguin Books, 1994.
Harlem, Paris Noir, and the Transatlantic Quest for Black Identity

Siraisi, Nancy. "Anatomizing the Past: Physicians and History in Renaissance Culture [*]." Renaissance Quarterly 53.1 (2000): 1.
The European Renaissance

 

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