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Black Elvis

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... its creator. A clue to Walker's interest in Elvis and to the significance of her fictional development of the influence on many - Elvis Presley and Janis Joplin among them. "Big Mama" Thornton combined the qualities of several play about Elvis Presley. Ola clearly perceives Elvis to be Native American in aspects of his dress (buckskin, fringe, to the top of the national charts (Cotten 91).(6) While Walker's character Gracie Mae differs somewhat from the real-life blues figure and originator of Elvis's (16-17). In signifying on the song and story of Big Mama Thornton, Elvis Presley, and "Hound Dog," Walker's crucial "difference" ...



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Sources list for BLACK ELVIS:

Stuart Hall, "What Is This 'Black' in Black Popular Culture?" in Black Popular Culture, ed. Gina Dent ( Seattle: Bay Press, 1992)
Jean Toomer’s "Cane"

David Emmanuel Goatley, Black Religion Black Theology (Trinity Press International , A Continuum imprint, New York) 32-35.
James Cone: Black Theology and the Black Christ

Harris, Jessica Christina. "Revolutionary Black Nationalism: The Black Panther Party." The Journal of Negro History. 85.3 (2000):162-173.
The Black Panther Party

Lyne, William. "No Accident: From Black Power to Black Box Office." African American Review. 34, 1. Spring 2000. JSTOR. American U in Cairo Library.
"Malcolm X"

Carmichael Stokely. "Black Power." Black Protest. Joanne Grant, ed. New York: Ballentine Books. 1968.
Martin Luther King and Nonviolence

 

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